Our work

Practice first.
Then preservation.

Living Songs connects direct learning, public presentation, education, translation, and archival care. Each part of the work grows from sustained practice and relationship.

The work in practice

A living field of encounter

Performance, apprenticeship, retreat, translation, education, and documentation remain connected rather than divided into separate projects.

Learning and apprenticeship

Continuing study across Kabir bhajans, Dhrupad, yoga, meditation, and the Malwa folk tradition.

Performance and travel

Concerts, university programs, community gatherings, and teaching circles shaped for each place and audience.

Retreat and practice

Bhajans learned with translation, yoga, meditation, attentive listening, and collective voice.

Translation and archive

Songs, meanings, recordings, photographs, and their contexts preserved as a connected cultural record.

What comes next

Build slowly.
Build usefully.

The aim is durable cultural work, not the appearance of scale.

Public song archive

Open selected, permission-cleared recordings with full credits, context, language, translations, and source relationships.

Kabir translation book

Edit the current translation body into a useful companion for learners, audiences, and future tours.

Long-form artist documentation

Preserve complete performances, teachings, oral histories, and contextual conversations—not only short excerpts.

Educational pathways

Develop age-appropriate work for schools and deeper interdisciplinary programs for universities.

Retreat continuity

Continue immersive formats in which songs are learned through voice, meaning, contemplative practice, and community.

Responsible presentation

Create tours and partnerships that credit artists, serve audiences, and strengthen the living relationships behind the work.